[Part of a series of posts previewing the novel Sin Against the Race.] Sin Against the Race did not start life as a “jazz novel.” When I first started this journey, I listened mostly to classical. Dvořák, Chopin, Mozart, Brahms, the … Continue reading
My favorite section of Hajdu’s Strayhorn biography Lush Life, the part with the strongest storytelling, is where he talks about Billy Strayhorn’s cancer diagnosis. For this chapter, he relied on the vivid memories of Marian Logan, Harlem socialite and wife … Continue reading
I first noticed the music of Mocean Worker when NPR’s All Things Considered used his tune “Tickle It” to introduce their feature “All Tech Considered.” It tickled my ear, so I bought the album it came from, Cinco de Mowo!. I’ve … Continue reading
Until this year, I’ve never been to the Monterey Jazz Festival. One of the premiere events on the jazz calendar, one would think I’d have been all up inside it by now. Sadly, such is not the case. This year, … Continue reading
Duke Ellington’s Famous Orchestra had many great soloists. Indeed, it was a band of great soloists. But one stood a notch above them all, alto saxophonist Johnny Hodges. Jazz writer Scott Yanow states that Hodges possessed “the most beautiful tone … Continue reading
My earliest Beatles memory: Mom dancing in the kitchen and singing along with “Hello Goodbye.” I peered at her through the bars of my crib. I was probably 3 or 4 years old. My parents, my three older brothers, and … Continue reading
A megathrust earthquake struck on June 22, 1996. Mom died. So powerful an event, I knew it had happened without solid confirmation. The nurses kindly said that there had been no change in my mother’s condition, though the pauses in … Continue reading
{Editor’s note: This piece in celebration of music was conceived and written before the horrific events of Saturday night, June 11, in Orlando, Florida. the gar spot conveys condolences to everyone affected by this unspeakable tragedy.} I have a cold. … Continue reading
I love house concerts. Listening to music in so intimate a setting places the music front and center, where it belongs. The audiences tend to be connoisseurs that have a strong bond with the performers and the music. The setting is warm. I … Continue reading
First, I have to correct a glaring omission. In my post recommending Strayhorn recordings to pick up, I left off something that I myself own: Marian McPartland plays the music of Billy Strayhorn. Why did I clumsily leave it off the list? Because when … Continue reading